Manchester School of Art - Fine Art Masters show at the Holden Gallery

The Holden Gallery has now reopened following a major two-year refurbishment of the historic Grosvenor building. It was great to be back there recently to photograph the 2024 Fine Art Masters show.

Manchester has a chronic lack of spaces for art for a city of its size and status, so it’s great to see this gallery reopen and I’m looking forward to seeing what the new programme holds in store.

Wild in Art - We Live Here Eccles

In the summer of 2023, visitors to Eccles discovered a vibrant Wild in Art trail celebrating the unique character and heritage of Eccles, which took over windows, walls and spaces in the town centre. The public art installation featured street art, paintings, murals, photography and pop up studios – all created by local artists and Eccles residents.

24 installations of artwork decorated the town and all referenced the different wildlife and people that live, study and work in Eccles.

The event was part of a huge regeneration programme from Salford City Council. Wild in Art were commissioned to work with local stakeholders to deliver a showcase of artwork, from striking installations to magnificent murals, powerful photography and stunning paintings, injecting life and colour into Eccles town centre.

Locals and visitors could pick up a trail map at Eccles Library, and various shops and cafes in Eccles Shopping Centre to explore the trail.

I was fortunate enough to document the trail and my photographs illustrate the website: https://wildinart.co.uk/events/we-live-here-eccles/

This year after the announcement of a major regeneration programme in the town, Wild in Art announced a new piece of work, a mosaic co-produced by Lauren Mullarkey and members of the local community who would be telling of their experiences of the local area and providing material from which the mosaic would be made. I visited to meet and take portraits of the contributors.

Manchester School of Art - End of Year shows

As a freelance photographer, I’ve had the privilege of covering a range of events, from high-profile gallery openings to intimate artist workshops. But there’s something uniquely electric about photographing the Manchester School of Art’s Final Year Shows. This annual event is a visual feast—a whirlwind of creative expression that radiates youthful energy and bold experimentation.

Stepping into the show, you can’t help but feel a sense of anticipation. It’s like walking into a sprawling gallery where every corner has something surprising to offer. The exhibition sprawls across different spaces, showcasing the work of students from various disciplines—painting, sculpture, digital design, fashion, and more. As someone tasked with documenting these moments, I need to quickly assess where the magic is happening and how best to capture it.

The first challenge is the sheer variety of the work. Each student has spent months, if not years, developing their final pieces, and no two are alike. One moment, I’m photographing a vibrant, abstract painting that dominates an entire wall, the next I’m crouched low, focusing on the intricate details of a conceptual sculpture made of recycled materials. As a photographer, I need to adjust my approach with every shot—switching between wide angles to capture the scale of installations and close-ups to highlight the craftsmanship.

The diversity of mediums can also be tricky to capture, especially when moving between 3D pieces and digital displays. I find myself drawn to the fashion design section, where students have created garments that blur the lines between art and wearable expression. Models wearing the students’ designs wander through the space, and this creates dynamic, live-action moments that require quick reflexes. I follow the models closely, framing shots that showcase both the fluidity of the fabric and the confidence of the wearer.

What’s particularly challenging, but also rewarding, is photographing interactive art. Many pieces invite the audience to participate—whether it’s a digital installation that reacts to sound or a sculptural piece that encourages touch. It’s hard to convey the essence of these works in a single image, but I try to focus on capturing people’s engagement with the art. A hand reaching out, a thoughtful expression as someone studies a piece, a child laughing in delight at an unexpected moment—all these interactions are just as important as the art itself.

The lighting conditions add another layer of complexity. In one room, the lighting might be bright and natural, ideal for capturing crisp, clean images. In another, the mood might be much darker, with spotlighting used to create dramatic shadows. I constantly adjust my settings, ensuring that the photos not only reflect the technical aspects of the work but also evoke the intended emotional response.

As the evening draws to a close, and I scroll through the hundreds of images I’ve taken, I feel a sense of accomplishment. Capturing the essence of the Manchester School of Art’s Final Year Shows isn’t just about photographing the art—it’s about documenting the passion and energy that these young creatives bring to their work. Every image tells a story, not just of the art itself, but of the moment in time when it was unveiled to the world.

Leaving the exhibition, I know that I’ve been part of something special. The Manchester School of Art’s final shows are a glimpse into the future of art and design, and I feel privileged to have witnessed, and captured, the first steps of these emerging talents.

Photographing for Art Fund at the Bronte Museum

Art Fund is a UK-based charity that aims to help museums and galleries to acquire and display works of art. The charity was established in 1903 and has since supported hundreds of museums and galleries across the country, helping to enhance their collections and make art more accessible to the public.

One of the most notable initiatives of Art Fund is the National Art Pass, which provides free entry or discounted admission to over 240 museums and galleries across the UK, as well as other benefits such as exclusive events and discounts at art-related shops and restaurants.

Meet Me at the Museum is a podcast series published by Art Fund where famous faces take their best mate, their mum, their neighbour (whoever they want) for an afternoon at a favourite museum or gallery. As well as getting a peek behind the scenes, seeing what makes a museum tick, it's also the starting point for some great conversations about life, the universe and everything. As well as a chance to eat lots of cake in the cafe.

During the production of this episode, I photographed writer Amy Liptrot, author of The Outrun and The Instant, as she took her friend, poet Zaffar Kunial, to the Brontë Parsonage Museum in Haworth, West Yorkshire. Together they explore the former home of the Brontë sisters – Charlotte, Emily and Anne – and see where some of their most famous novels were written. From the dining table where the sisters shared their work, to early reviews of Wuthering Heights, intimate objects and artefacts prompt conversations about Amy and Zaffar’s own inspirations as writers. And, after exploring the house and museum, they head out into the landscape and discover a poem in the wild.

The Bronte Museum, located in the picturesque village of Haworth in West Yorkshire, England, is a must-visit destination for literature lovers and fans of the Bronte sisters. The museum is dedicated to the lives and works of the Bronte family, particularly the three sisters - Charlotte, Emily, and Anne - who wrote some of the most celebrated novels of the 19th century, including "Jane Eyre", "Wuthering Heights", and "The Tenant of Wildfell Hall".

The museum is housed in the former home of the Bronte family, which has been carefully preserved to provide visitors with an authentic glimpse into the lives of the famous siblings. The museum contains an extensive collection of Bronte memorabilia, including original manuscripts, letters, personal belongings, and artworks. Visitors can explore the various rooms of the museum, including the dining room, drawing room, and bedrooms, which have been furnished to recreate the atmosphere of the Bronte family home.

Manchester Met SODA Modal gallery opening

The Modal Gallery at the Manchester School of Digital Arts (SODA) is a unique space that has become a hub of creativity, innovation, and collaboration. Through its immersive exhibitions, cutting-edge technology, and interactive displays, the gallery has had a significant impact on the SODA community, helping to foster a sense of community and connection among students, faculty members, and industry professionals.

One of the key features of the Modal Gallery is its cutting-edge technology. The gallery is equipped with the latest digital tools and equipment, allowing students and faculty members to experiment with new forms of digital art and explore the boundaries of creativity. From virtual reality experiences to interactive installations, the gallery provides a platform for students to push the limits of what is possible in the digital arts.

In addition to its technology, the Modal Gallery is also known for its immersive exhibitions. The gallery's exhibitions are designed to engage visitors and create a sense of connection with the artwork. Through its immersive installations, the gallery invites visitors to explore new worlds and perspectives, challenging them to think differently about the digital arts.

Another key feature of the Modal Gallery is its role in promoting SODA to the wider community. The gallery has become a key component of SODA's marketing and outreach efforts, showcasing the school's state-of-the-art facilities, cutting-edge curriculum, and commitment to innovation. By attracting visitors from across the region and beyond, the gallery has helped to position SODA as a leader in the digital arts and a key contributor to the creative economy.

The Modal Gallery has also had a significant impact on SODA's students. Through its exhibitions, the gallery provides students with a space to showcase their work and receive feedback and guidance from their peers and faculty members. The gallery has helped to foster a sense of community and collaboration among students, creating a supportive and dynamic environment that encourages experimentation and growth.

Furthermore, the Modal Gallery has helped to connect SODA's students with industry professionals and potential employers. Through partnerships with leading companies such as BBC, Channel 4, and Google, the gallery provides students with valuable networking opportunities that can help them launch their careers in the digital arts. The gallery has become a bridge between academia and industry, providing students with a clear path to success in the digital arts.

It’s been a pleasure to attend the exhibitions and photograph the events here over the past year, I always look forward to opening nights.